Reading Wednesday

Aug. 13th, 2025 08:22 am
sabotabby: (books!)
[personal profile] sabotabby
Just finished: Inventing the Renaissance: The Myth of a Golden Age by Ada Palmer. I went to art school semi-on-purpose. Which is to say I always loved art, loved drawing, but was it my passion? Who knows what a 13-year-old's passion is? I was nerdier about other things. But I was bullied in grade school and wanted only to get away from my tormentors when I finally graduated, and so I auditioned for the art school as an escape. I was good at drawing, good enough that they plucked me out of my boring town and away from everyone I hated. There I had teachers who truly were passionate about art, and art history, and I fell in love with not just the paintings and sculpture and architecture but the stories and personalities behind them. We scrimped and saved so that I could go on the school trip to Italy and there I got to see the art, and fall in love with Florence in particular, and walk in the footsteps of Michelangelo and Leonardo and Machiavelli and Lorenzo the Magnificent and it was the most incredible thing to happen to me in my life thus far.

So anyway reading this book was like reliving that, only—as Ada Palmer says throughout the book—"Ever-So-Much-But-More-So." Because there is more history than I knew, or learned since, more stories, more people, about 100 pages of footnotes, and it's contested history, histories complicated by someone who loves this era even more than I do. Despite the book's heft, it's a very fast read. Also I cried a l'il. Fight me. But read it.

Currently reading: Signal to Noise by Silvia Moreno-Garcia. This is a re-read of my favourite SM-G book For Reasons and my God, Meche is even worse than I remembered. I love her. Ahaha. What a nightmare child.

podcast friday

Aug. 8th, 2025 07:01 am
sabotabby: gritty with the text sometimes monstrous always antifascist (gritty)
[personal profile] sabotabby
 Today's post is ICHH's "Dogwhistle Politics and Nazi Code Hunting." Gare and Mia take a deep dive into what is, superficially, a comparatively minor issue—that of conspiratorial thinking on the left. They take as their jumping off point a tweet from the Gestapo featuring John Gast's "American Progress." It's an overtly fascist tweet because the artwork itself celebrates the genocide of Indigenous peoples, and the text reinforces that the poster thinks that this genocide is a good thing, and also because an overtly fascist organization that is currently carrying out a genocide tweeted it. If they'd tweeted a picture of kittens, it would still be a fascist tweet, because it is a fascist organization posting on a platform owned by fascists. Nevertheless, certain segments of the extremely online left and liberals have convinced themselves that there are also secret fascist messages in the tweet.

The basic thesis of the episode is, "no, you fools, they don't need to dogwhistle anymore because they are in power and doing fascism." But there's another, even more important point here, which is that we're all still basically stuck in 2016-7 and we need to be updating both our thinking and our strategies. I feel a certain way about this because for all that I mocked it back in the day, conspiratorial thinking worked very well for the right, and I sort of disagree with Gare and Mia that it won't reach a particular type of low-information voter who likes to feel privy to exciting secret knowledge. But also, it is counterproductive and has people who might otherwise be useful and productive chasing their tails playing numerology on X, the Everything App.

At any rate, it's an interesting psychological insight and as someone who is not immune from Extremely Online Thinking, it's a useful check-in.

Reading Wednesday

Aug. 6th, 2025 08:24 am
sabotabby: (books!)
[personal profile] sabotabby
Just finished: Nothing, this book is 768 pages long.

Currently reading:  Inventing the Renaissance: The Myth of a Golden Age by Ada Palmer. It's so good. The middle of the book tells the story of 15 Renaissance figures, both famous and obscure, on various sides of factional political fights, theology, and modernity. After a sympathetic look at Lucrezia Borgia (who did nothing wrong), I just finished the chapter on Michelangelo, which despite being one of the longer chapters (I am weirdly relieved whenever we hit someone I like who didn't die horribly and prematurely) and focusing on the political infighting of the time, didn't even cover his imprisonment. To be fair, he did a lot of stuff, and it covers his love life admirably, which is juicier. She uses it in part to talk about the degree to which art was wielded as a weapon of political influence, often at the expense of the artists and craftspeople themselves, and also the complex history of queerness in the era.

There's a particularly good exchange between Galeazzo Sanseverino (the lover of Duke Ludovico Sforza, who lived openly with him along with his wife Beatrice) and Francesco Gonzaga, husband of Isabella d'Este. Sanseverino had challenged Gongzaga to a duel, to which Gonzaga replied, "Prù—this is a fart sound I make with my mouth with the addition of a fuck-you gesture and a fig sign," and that when he had gay sex, "I do it at the door of others while you do it at your own." (I.e., he was a top.) 

Anyway this book is great. I'm only highlighting this because it was the last thing I read before I passed out last night. It's all like this, though.

podcast friday

Aug. 1st, 2025 01:50 pm
sabotabby: plain text icon that says first as shitpost, second as farce (shitpost)
[personal profile] sabotabby
 I'm behind on my podcasts as usual but "AI Minstrel Shows" on It Could Happen Here aired a few days ago and was really good. Apparently there's a whole genre of AI video that I'd managed to avoid but should have guessed at. Racist buffoons on the internet now have the technology to generate completely fake Black people saying things that conform to white supremacists' ideology, which means that they can now do minstrel shows again. For free. Because AI content creators are the worst people imaginable so of course they have to do the worst things imaginable and this is one of them.

Bridget Todd does a great public service in not only making us aware of this shit but in tying it to historical uses of blackface and the ways in which punching-down "comedy" was used to create propaganda, enforce white supremacist institutional power, and transmit ideology. It's truly horrifying stuff and yet another reason to oppose the use of so-called AI in any creative space.

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